Hardcover. New York, Universe Pub, 1st, 1993, Book: Very Good, Dust Jacket: Very Good, Hardcover, 143 pages, photographs throughout. 40 color, 49 b/w plates. Minor dust jacket edge wear, otherwise, very clean and tight. Includes the work of 16 contemporary photographers in Mexico.

Hardcover. New York , McGraw-Hill, 1st, 1968, Book: Very Good, Dust Jacket: Very Good, Hardcover, large folio, 159 pages, index, 60 beautiful tipped-in color plates of ancient Mexican sites after photographs by Irmgard Groth. Original gilt-lettered burgundy cloth in original color pictorial dust jacket that has a small chip to top of spine. The author of this book, Ignacio Bernal (1910 - 1992), was an eminent Mexican anthropologist and archaeologist. Bernal excavated much of Monte Alban, originally starting as a student of Alfonso Caso, and later led major archeological projects at Teotihuacan. In 1965 he excavated Dainzu. He was the Director of Mexico's National Museum of Anthropology 1962-68 (at the time of this publication) and again 1970-77. In 1965, he was elected a Foreign Honorary Member of the American Academy of Arts and Sciences. Bernal was awarded the Premio Nacional in 1969. He was a founding member of the Third World Academy of Sciences in 1983. This book includes 60 hand-mounted colour plates and 1 map (all framable); each chosen by Bernal photographed by Mrs. Irmgard Groth, a gifted photographer whose special field was Mexican archaeology. In these plates we see the extraordinary sculpture of the Omecs; the Pyramid of the Moon of Teotihuacan; the Maya temples of Palenque; the Pyramid of the Niches of Tajin on the Gulf Coast; the temples at the great city of Chichen Itza; the gold ornaments of the Mixtecs at Monte Alban; the temple carved by the Aztecs out of the Cliffside at Malinalco; and many other buildings and artifacts, the surviving testimonials - sometimes exquisite, sometimes aw-inspiring - to the greatness of a long-vanished culture.

Hardcover. NY, Scott Foresman and Company, 1st thus, Book: Very Good, Dust Jacket: None, Hardcover with illustrated boards, 40 pages. Three-color illustrations throughout by Leo Politi. Originally published by Viking Press in 1944, this is a reprint edition with a 33 1/3 vinyl record in a pocket at the rear In pristine condition. Scarce thus. No dust jacket issued.

Softcover. NY, Aperture Foundation, 1997, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. Many contributors. Features: Manuel Alvarez Bravo: Photographs and Memories. Frederick Kaufman's "Essay of Memories," based on extensive interviews he conducted with Don Manuel in 1996, was commissioned especially for this publication. In his richly descriptive and insightful essay, Kaufman weaves together Alvarez Bravo's recollections, biographical information, and Mexican history in order to illuminate the story of the photographer's life against the backdrop of a complex and ever-changing culture.

Softcover. NY, Aperture Foundation, 1998, Book: Very Good, Dust Jacket: None, Softcover, 80 pages. A large, beautifully designed photography publication with many full page photographs in black and white and color. Glossy wraps. The Mexican book series Rio de Luz was a courageous and energetic presentation of Latin American photography. To honor the accomplishments of the series and the artists, an issue of Aperture is devoted to the Rio de Luz collection.Separate chapters address the outstanding themes concerning the editors of the Rio de Luz series-revolution, the American way of life and Cuba, the 1950s, and "poetry of the onlooker." Artists include Lazaro Blanco, Raul Corrales, Hector Garcia, Graciela Iturbide, Nacho Lopez, Pedro Meyer, Miguel Rio Branco, and Mariana Yampolsky. Authors include Carlos Monsivais, Alvaro Mutis, Victor Flores Olea, Pablo Ortiz Monasterio, Roberto Tejada, Raquel Tibol, and Veronica Volkow.

Softcover. Aperture, 1st, November 30, 1998, Book: Very Good, Dust Jacket: None, 80 pages, b&w and color photographs throughout. Very good. The Mexican book series Rio de Luz was a courageous and energetic presentation of Latin American photography. To honor the accomplishments of the series and the artists, an issue of Aperture is devoted to the Rio de Luz collection.

Hardcover. Salt Lake City, University of Utah Press, 1st, 2001, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket. Oblong folio in color pictorial jacket; 208 pages most in color. The Templo Mayor precinct at Tenochtitlan in Mexico was an important center in Aztec ceremonial life, providing the setting for displays of highly-energized rituals. This book uses the latest archaeological research and cutting-edge computer-generated three-dimensional color imagery to reconstruct the spaces where these ritual dramas were played out. Through a series of isometric drawings and sections cut through buildings, the author has created a compelling reconstruction of how the temple looked, and how it evolved from a scatter of mud and thatch huts to become one of the most impressive urban complexes in the world. Clean copy.

Softcover. Albuquerque, University of New Mexico Press, 1st, 1996, Book: Very Good, Dust Jacket: None, Softcover, 67 pages. A collection of 40 color photographs depicting the building facades and ruins of modern day Chihuahua, Mexico. The culminating effect of the brilliantly colored photos is nearly hallucinatory, taking in both the paintings of Bugs Bunny affixed to store facades, and political graffiti with a postmodern inclusiveness which says volumes about the spirit and poverty of this community. An accompanying text essayed by Charles Bowden, author of Blood Orchid , complements the images with a kind of poetic, meandering, and intimate meditation on the physical and existential state of Chihuahua. Lacks an index and bibliography. Clean copy.

Softcover. NY, Cambridge University Press, 1st, 2010, Book: Very Good, Dust Jacket: None, Softcover, 216 pages. A collection of pathbreaking essays on Aztec and Maya culture in the sixteenth century. In the title work Inga Clendinnen reconstructs the sequence of experiences through which young Aztec warriors were brought to embrace their duty to their people, to their city, and to the forces that moved the world and the heavens. Subsequent essays explore the survival of Yucatec Maya culture in the face of Spanish conquest and colonisation, the insidious corruption of an austere ideology translated into dangerously novel circumstances, and the multiple paths to the sacred constructed by 'defeated' populations in sixteenth-century Mexico. The collection ends with Clendinnen's transition to the colonial history of her own country: a close and loving reading of the 1841 expedition journal of George Augustus Robinson. Clean copy.

Softcover. Albuquerque, NM, University of New Mexico Press, 1st, 1995, Book: Very Good, Dust Jacket: None, 237 pages. Softcover. A very clean, unmarked copy with only minor edgewear. Color photographs throughout.

Softcover. NewYork, Aperture, 2nd, 1973, Book: Very Good, Dust Jacket: None, Vol. 1: 214 pages. Softcover. B/w illustrations throughout. Covers slightly yellow with age, clean inside and intact. Vol. 2: 290 pages. Softcover. B/w illustrations throughout. Covers slightly yellow with age, clean inside and intact. Soil/stain on bottom foredge, does not affect pages. From the back cover of Vol. 1: "To see, to react, to create; these are the fundamentals of all art production. But also to share is the measure of the great artist and the great person. In both his magnificent photographs and in the confidences and clarifications of his Daybook, Edward Weston takes us into himself and shares with us his particular mirror of beauty and compassion."

Hardcover. New York , W. W. Norton & Company, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 202 pages, illustrated with 242 color and b&w plates, including a pullout poster in rear pocket. Early in the Depression, Diego Rivera was commissioned by Edsel Ford to create a series of murals in the gallery of the Detroit Institute of Arts, giant frescos whose theme would be America's industrial might. This volume studies the astonishing results and gives us a remarkably close look at Diego and his wife, Frida Kahlo.Rivera's Detroit Industry murals are one of this country's greatest treasures. In addition to providing full coverage and analysis of the murals, the book includes chapters on the murals' planning and antecedents, Rivera's working methods (which can be read as a primer on frescos), Diego and Frida's lives for their nine months in Detroit, and the public's dramatic response to the strong socialist/communist themes in the works.

Hardcover. New York , W. W. Norton & Company, 1st, 1999, Book: Very Good, Dust Jacket: Very Good, Hardcover in a bright dust jacket, 202 pages, illustrated with 242 color and b&w plates, including a pullout poster in rear pocket. Early in the Depression, Diego Rivera was commissioned by Edsel Ford to create a series of murals in the gallery of the Detroit Institute of Arts, giant frescos whose theme would be America's industrial might. This volume studies the astonishing results and gives us a remarkably close look at Diego and his wife, Frida Kahlo.Rivera's Detroit Industry murals are one of this country's greatest treasures. In addition to providing full coverage and analysis of the murals, the book includes chapters on the murals' planning and antecedents, Rivera's working methods (which can be read as a primer on frescos), Diego and Frida's lives for their nine months in Detroit, and the public's dramatic response to the strong socialist/communist themes in the works.

Hardcover. Chapel Hill, University of North Carolina Press , 1st, 1937, Book: Very Good, Dust Jacket: None, Hardcover, 849 pages, b&w illustrations. Tan cloth covers with dark brown decoration. Previous owner's stamp on both end papers.

Softcover. Mexico, 1st, 2003, Book: Very Good, Dust Jacket: None, Articles in English and Spanish. 108 pages plus advertisements. Color illustrations throughout. Black pictorial cover with wear to edges and covers. Overall, a clean, tight copy.

Hardcover. NY, powerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, introduction "Spirit & Flesh: Mexico's Sexual Revolution by Ruben Martinez, afterword by Pedro Meyer, essay by Trisha Ziff, illustrated with photos and art work documenting local sex workers. No dust jacket issued.

Hardcover. NY, powerHouse Books, 1st, 2006, Book: Very Good, Dust Jacket: None, Hardcover, 96 pages, introduction "Spirit & Flesh: Mexico's Sexual Revolution by Ruben Martinez, afterword by Pedro Meyer, essay by Trisha Ziff, illustrated with photos and art work documenting local sex workers. No dust jacket issued.

NY, P.J. Kenedy and Sons, 1st, 1957, Book: Very Good, Dust Jacket: Very Good, Hardcover, 190 pages. B&W illustrations by William Wilson. In a lightly edgeworn dust jacket. INSCRIBED BY AUTHOR on title page.

Softcover. US, National Park Service , 1st, 1979, Book: Very Good, Dust Jacket: None, 168 pages. Softcover. A very clean, unmarked copy with only minor wear to wrappers. Black & white illustrations throughout.

Hardcover. Coral Gables FL, University of Miami, 1st, 1960, Book: Very Good, Dust Jacket: None, Hardcover, maroon cloth stamped in gilt, 487 pages including index. INSCRIBED BY THE AUTHOR on the half-title page. Illustrated with 17 b & w photographic plates, map end-papers. Thord-Gray was a career military man (the list of conflicts engaged in is impressive), he here concentrates on the 2 years he lent his considerable expertise to the various rebel armies of the revolution, including Pancho Villa, Venustiano Carranza and Alvaro Obregon. He mostly led native Indians and farmers through tortuous country on various scouting expeditions, engaging smaller groups of federal troops. You learn an incredible amount about the culture and history of these peoples he worked with. A clean, bright copy

Hardcover. Chicago, Illinois, Albert Whitman & Company, 1st US, 1954, Book: Very Good, Dust Jacket: Very Good, Hardcover. Ex-library copy, minor stamping. Book shows some wear. Color illustrations by Bannon. Hardbound, bright, clean dust jacket.

Hardcover. NY, Harper and Row, 1st, 1971, Book: Very Good, Dust Jacket: None, Hardcover, pictorial boards, 64 pages illustrated in 3-colors by Joan Sandin. Every day is the same for Pablo's father. Then one afternoon the ground growls, hisses smoke, and swallows up his plow. A volcano is erupting in the middle of his cornfield! The story is based on reports of the eruption of Paricutin volcano on Feb. 29, 1943. It came up in the Mexican state of Michoacan, in the cornfiled of a Tarascan Indian Named Dionisio Pulido. No one was killed, but more that 2000 people are said to have lost their homes. An I Can Read History Book. Light stamp on rear endpaper, otherwise a bright, clean copy.

Softcover. Yucatan, Mexico, Dante, 1st, 1997, Book: Very Good, Dust Jacket: None, 164 pages. Softcover with French flaps. B/w illustrations throughout. Touch of agewear to covers, a little foxing to top edge, otherwise clean inside. In very good condition.

Hardcover. New York, powerHouse Books, 1st, 2009-07-20, Book: Very Good, Dust Jacket: Very Good, Hardcover, 223 pages, illustrated throughout in b&w. Clean, unmarked copy with only minor wear to dust jacket. Folio. The writer's first collection of photographs provides a photographic essay of the Imperial Valley, California.